A young couple escapes Vancouver and takes a meandering trip down to Panama. In a dreamlike tale, ambiguous in setting and period, a girl child is lost. And Charles Darwin, whose historical namesake found his life work’s inspiration in South America, finds his purpose in studying village life.
Through two novellas bridged by a story, Michael Kenyon reads the imperatives of biological diversity into inner human life and asks: what happens when we do not accept parts of ourselves? what happens when genre and classification engulf “freedom” and spirit?
New storytelling requires acknowledgment of the implicit paradoxes of the unconscious, journeys as much into the psyche as into the world. Kenyon’s people often find outer form in their lives through inner exploration and vice versa. This book is full of expressions of escape and commitment, knowledge and acts, introversion and extroversion, feminine and masculine.
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